in class presentation notes
Meyerhold- Nan
Russian and Soviet theorist, He writes the play. He uses symbolism and biomechanics in his play.
hates everything that's predictable.
symbolism is a performing strategy in which the things on stage not only means what it looks like but also something more beyond.
biomechanics
use series of movement to help the actors to explore or develop their emotion.
use of masks(make the audience more focus on their movement.)
Viala Mills
Russian and Soviet theorist, He writes the play. He uses symbolism and biomechanics in his play.
hates everything that's predictable.
symbolism is a performing strategy in which the things on stage not only means what it looks like but also something more beyond.
biomechanics
use series of movement to help the actors to explore or develop their emotion.
use of masks(make the audience more focus on their movement.)
Viala Mills
known worldwide as the theater game. establish the company
write a book named "Bible"
Stanford Meisner
perform truthfully and "real"
what are you playing?
what are you doing?
self-consciousness is the death of a good actor.
Lee Strasberg
method acting
actor or actress tries to become the character
uses senses
educator
affective memory
Konstantin Stanislavski
method acting
peter brook
human connection
discover his emotion on his own
The audience can feel these emotions from the play and sympathize with them.
reality: we are more conscious of what is imitative than what is real
Michael Chekhov
Stanislavski system
Rudolph Steiner
imagination and physical movement
stimulate the feelings through imaginary
write a book named "Bible"
Stanford Meisner
perform truthfully and "real"
what are you playing?
what are you doing?
self-consciousness is the death of a good actor.
Lee Strasberg
method acting
actor or actress tries to become the character
uses senses
educator
affective memory
Konstantin Stanislavski
method acting
peter brook
human connection
discover his emotion on his own
The audience can feel these emotions from the play and sympathize with them.
reality: we are more conscious of what is imitative than what is real
Michael Chekhov
Stanislavski system
Rudolph Steiner
imagination and physical movement
stimulate the feelings through imaginary
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